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2002 is over and it's that time of year when pic fans all over the world throw together their little lists of what they feel are the best films of the year. I, of course, am no exception. I live for this stuff. Before getting to the list, I'd like to mention some films that I was interested in checking kayoed but for whatever reason, I didn't have a chance to: Monsoon Wedding, Kissing Jessica Gertrude Stein, Y Tu Mama Tambien, Dogtown and Z-Boys, Salton Sea, Hollywood Ending, CQ, 13 Conversations About One Thing, Gangster No. 1, Lovely and Amazing, The Good Girl, Man From Elysian W. C. Fields, Tuck Everlasting, The Emperor's Lodge, and The Grey Zone. Here's a list of some films I'm looking real forward to seeing, but they're on a limited run at the moment: The Pianist, Placid American, Rabbit Proof Fence, Adaptation, About Schmidt, 25th Hour, Confessions of a Dangerous Mind, Sonny, Nicholas Nickleby, Antwone Fisher, Chicago, The Hours, Max and Russian Ark. As for the movies I did see, there were a lot of them. This list just represents some of my favorite celluloid experiences of the year. If you notice one on the list that you haven't seen, try and seek it out. 25. 8 MILE Eminem made the jump to the big screen in this film from director Curtis Hanson, playing a loose version of himself. While this certainly wasn't Shakespeare, the rapper managed to hold his own and not surprisingly, he's incredibly dynamic in the energetic rapping sequences. 24. WILCO: I AM TRYING TO BREAK YOUR HEART This insightful documentary chronicles the making of the album Yankee Hotel Foxtrot, and even though this picture will be almost appreciated by Wilco fans, music buffs may find this look into the industry very interesting as well. 23. UNFAITHFUL Dismissed by most as a waste of time, I found Unfaithful to be quite powerful thanks to an implausibly complex performance by Diane Lane as a woman who, despite a happy marriage, impulsively decides to stray. 22. THE MOTHMAN PROPHECIES This creepy little thriller with Richard Gere and Laura Linney, raises more questions than it's willing to answer, but Mark Pellington's superb, creative direction kept me byzantine every step of the way. It plays like a feature of speech length X-Files episode. 21. JACKASS Although Jackass isn't really a movie, I couldn't leave it off the list. It's quite simple. This motion-picture show was both shocking and uproarious. I laughed my ass off from beginning to end. 20 ROAD TO PERDITION While this is certainly more of a film to admire than enjoy, I put it on this list for that very reason. Tom Hanks goes out on a limb acting a gangster, but it is the cinematography that is genuinely worth mentioning. Absolutely breathtaking. 19. ONE HOUR PHOTO Robin Williams turned in one of the best performances of his career as a film developer detached from reality, world Health Organization bonds with a family through photographs. Creepy and understated. 18. POSSESSION Neil LaBute fashioned this exquisite adaptation of the novel Possession. His guidance is fantastic, particularly the transitions shots from past to present. It features a stellar cast including; Gwyneth Paltrow, Aaron Meister Eckhart, Jeremy Northam and Jennifer Ehle. 17. AUSTIN POWERS IN GOLDMEMBER So what if many of the jokes were recycled. THIS MOVIE IS Amusing! Mike Myers earns his payroll check playing multiple characters, and the first ten minutes of this laugh fest are absolutely elysian. 16. INSOMNIA Even though this remake lacked the innovation of Christopher Nolan's Souvenir, it is a realistic morals play featuring Al Pacino as a sleep deprived cop in pursuit of killer Robin Williams (in another subtle performance). Well shot amid stunning, Alaskan locations. 15. GANGS OF NEW YORK Truth be told, I felt a little defeated by Martin Scorsese's labor of love, but for every flaw in this epic is something that does work. It should also be noted that Daniel Day Lewis is phenomenal in this picture. 14. SUNSHINE STATE This little seen gem from independent hero Whoremonger Sayles is a wonderfully integrated character study, and features a stellar ensemble including; Edie Falco, Angela Bassett, Timothy Hutton, Gordon Clapp, and Mary Steenburgen. Dull moving, but worth every bit of it's running time. 13. NARC Many of you may not be familiar with this movie, but you will be. This dark, granular cop thriller from director Joe Carnahan benefits from an outstanding performance by Jason Patric and a career defining turn by Ray Liotta. This picture is stunning. 12. Speak TO HER Pedro Almodovar's complex character study about how people communicate with one another handles tough, uncompromising subject matter in a classy fashion. Not only is this movie dramatically powerful and unpredictable, it also features some of the most interesting characters of the year. 11. SOLARISFULL FRONTAL A couple of years back, Steven Soderbergh released two unforgettable pictures (Erin Brockovich and Traffic) in the same year. In 2002, he did it again, simply with less than satisfying results in terms of box function revenue. Full Frontal is an interesting experimental improvisation piece, while Solaris deserved a better response with it's challenging ideas and a beautiful performance by George Clooney. 10. Catch ME IF YOU CAN Soderbergh wasn't the only Steven with two worthwhile films in the same year. Mr. Spielberg had a banner year as well. Catch Me if You Can is a wonderfully light cat and mouse chase with Leonardo DiCaprio and Tom Hanks, wHO play off of each other beautifully. 9. FRAILTY Actor Bill Paxton made his directorial debut with this terrorization tale of a man world Health Organization believes he and his children have been chosen to put down demons that live among us. Told in a jigsaw puzzler fashion (think The Usual Suspects), Frailty has an ominous mother wit of doom that doesn't let up. 8. Spirited AWAY Easily the best animated film of the year, Spirited Away also emerges as unitary of the best films of the year period. This illusion unfolds like a dream and reminds us all what it's like to be a baby. This is one of the most ambitious animated features I've ever seen. Thank you John Lasseter for bringing Hayao Miyazaki's Japanese treasure to the states. 7. THE RING What starts off as a tip of the hat to that whole Scream phenomenon quickly switches gears, becoming a terrorisation ghost story dripping with style, courtesy of director Gore Verbinski. True, much of this picture doesn't make sense logistically speaking, but I didn't care. The tone of this film south Korean won me over. The Ring is what so many other horror films have only tried to be—Scary! 6. WE WE'RE SOLDIERS Going into this Vietnam war film from director Randall Wallace, I wasn't expecting much. What I got was a passionate, dramatic and heartfelt depiction of war, featuring some shockingly realistic battle force. This movie also features another standout performance by Mel Gibson. 5. AUTO FOCUS Greg Kinnear soars as Hogan's Heroes star Bob Crane, in this picture from director Paul Schrader. While this story features Crane, it isn't really well-nigh him. This is a down and dirty glimpse into the world of addiction, and Car Focus is so filthy, I wanted to take a rain shower after it was over. Kinnear and Willem Dafoe are spectacular. 4. BOWLING FOR COLUMBINE Michael Moore is maybe the most known and famous documentary film maker of our time, and with Bowling For Columbine, he takes on topic matter that involves us all as Americans. Even though Moore tends to over reach, he raises some valid points on gun control. This movie is shocking, funny, and relevant. 3. FAR FROM HEAVEN With Far From Heaven, Todd Haynes has perfectly re-created the 50's melodrama. But he's done so with a twist. He injects his take on a decade long since vanished with subject matter that would have been deemed too taboo during that time frame. The end result is a nostalgic and dramatic story that resonates with timeless power. 2. MINORITY REPORT My man Steven Spielberg delivered the best summer movie with Minority Report, a thought provoking, sci-fi thriller that, at it's heart, was a picture perfect age to film noir, sprinkled with futuristic elements. Minority Report isn't only a grand scale commercial entertainment, it's also provocative and expertly crafted. 1. LORD OF THE RINGS: THE TWO TOWERS The Two Towers is, hands down, the biggest, most ambitious picture of the year. I wouldn't call Cock Jackson's second installment of J.R.R. Tolkien's beloved series better than Fellowship of the Ring. I think both pictures compliment one another and I'm counting the days until Return of the King. The department of Energy and buzz surrounding these movies is something I haven't felt since the original Star Wars trilogy. And what really makes Lord of the Rings so special is that character never gets lost in Jackson's attractively colossal vision. Characters come first, and that's how it's so-called to be.
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With Lost Souls and a re-release of The Exorcist, it seems that people can't get sufficiency of the devil these years. Bedazzled runs Old Scratch up the flagpole once again--but this time it's played for laughs. Veteran funny gentleman's gentleman Harold Ramis (director of Woodchuck Day, Analyze This, and co-writer and co-star of the Ghostbuster films) directs and co-writes this story of a sweet natured guy (Brendan Fraser), who doesn't have any real friends. To top that off, the woman of his dreams (Frances O'Connor) doesn't even know he exists. Fraser gets the offer of a lifetime when the prince of Darkness (sexy Elizabeth Hurley) offers him seven wishes in return for his soul. So basically, Bedazzled tells seven different stories, in the form of Fraser's wishes, and naturally none of his dreams turn out to be quite what he expected. (Selling your soul never works out worth a crap). Bedazzled is certainly not the best comedy ever made, merely it does offer several laugh-out-loud moments and a very likeable comedic turn by Fraser. In fact, Fraser's appeal is what really makes the film influence. Hurley is a beauty to behold, but the story isn't really about her. Most of the big laughs in the film belong to Brendan. Screenwriters Ramis, Peter Tolan (Analyze This) and Larry Gelbart (Neighbors) don't conjure up anything very complicated. This is a very loose screenplay and much of the film seems makeshift. Gelbart has tackled this study matter before with the George Burns/John Denver film Oh Graven image! (Thankfully Burns stuck to the sweater vests and and disdained the tight red leather.) Ramis does nothing more than have a good time, and I actually liked this much more than his last film Multiplicity. On the early hand, my expectations weren't very high--the previews looked downright awful. As it turns out Bedazzled is an enjoyable little dance with the devil.
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Starring:Glenn Close
Gerard Depardieu
Released Byisney
Released In:2000
Rated:G
Reviewed By:Adam Mast
download movie, 2007 movies, purchase movie online, downloadable movies, download movies, buying movie online, download borat, buy download movie, download film divx, downloading movies, cheap cigarettes, buy movie onlineCould it be up to now another wasted sequel? This answer is yes! To make matters worse, it's a subsequence to a film based on a classic Walt Disney cartoon that never should have been made in the starting time place. Now in all honesty, I didn't hate the previous film. I thought it was a cute recreation, and practiced for the whole home. It had a caboodle of vim and fine performances from the likeable Jeff Daniels, and a hilarious, over the height turn by Glenn Close as the nasty Cruella DeVil. In this sequel, Close is the only major returning cast member. It seems that Cruella's jail time has mellowed her out a morsel. She no longer has a hatred for the Dalmatians that sealed her fate in the last picture. By sheer coincidence, it seems that her parole police officer has a fondness for the spotty pets, and even has a family line of them at home. In fact, mama has recently had a litter that includes Oddball, a mischievous Dalmatian that becomes increasingly agitated because he has no spots. Earlier too long, Cruella is up to her old tricks, and with the aid of a fashion designer (a strange work by European sensation Gerard Depardieu), they decide to kidnap our faithful little pooches and make fur coats out of them. Of row this is a Walt Disney flick, so parents shouldn't be excessively worried most the result. What's truly disheartening about this unneeded sequel is how dreadfully dull it is. Sure, the dogs are cunning, and Close seems to be having a good time, simply this film just doesn't really seem to go anywhere. In fact, I observed the crowded audience at the screening, and many of the children seemed to be acquiring unusually restless. It seemed painfully obvious to me that this sequel was made just for the reason a sequel should never be made, but usually is--because the first film made a gross ton of money. No real care went into the making of 102 Dalmatians. This isn't even rattling a continuation. It's more of a remake. A generic rehash that we could all do without.

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